Marine Fragments: Cape Agulhas II, Photopolymer Etching on Hahnemuhle Natural German Etching Paper
Limited Ed of 20
58cm x 46cm
2025

Marine Fragments: Cape Agulhas I, Photopolymer Etching on Hahnemuhle Natural German Etching Paper
Limited Ed of 20
58cm x 46cm
2025

Marine Fragments: Cape Agulhas III
Photopolymer Etching on Hahnemuhle Natural German Etching Paper
Limited Ed of 20
58cm x 46cm
2025

Tree II
Photopolymer Etching on Hahnemuhle German Etching Paper
Limited Ed of 20
21cm x 20cm, 2025

Tree I
Photopolymer Etching on Hahnemuhle German Etching Paper
Limited Ed of 20
21cm x 20cm, 2025

Orange Fan II
Photopolymer Etching on Hahnemuhle Natural German Etching Paper
Limited Ed of 20
41cm x 31cm, 2025

Orange Fan I
Photopolymer Etching on Hahnemuhle Natural German Etching Paper
Limited Ed of 20
41cm x 31cm, 2025

Collected Fragment: I
Photopolymer Etching on Hahnemuhle German Etching Paper
27cm x 20cm
Limited Ed of 20, 2025

Collected Fragment: II
Photopolymer Etching on Hahnemuhle German Etching Paper
27cm x 20cm
Limited Ed of 20, 2025

My practice—in many ways—began with mudlarking when I moved to London in 2018. In a busy, chaotic city where I knew no one, the river offered me time, space, and a sense of peace. The Thames foreshore became a place of quiet ritual: gently sifting through stones and mud in search of objects that sparked my curiosity.

I’ve always been drawn to the quiet, the strange, the unassuming. Through my work, I try to make space for these objects to be seen and admired, reframing the mundane as something beautiful, powerful, and worthy of attention.